![]() Companies such as Softube, Universal Audio and D16 go to extreme lengths to model the characteristics of analogue circuits then recreate them as software. The net result is that we can all now get our hands on incredibly realistic emulations of units as diverse as the Roland TR-909, Tube-Tech CL-1B and Studer A800. There are, of course, still countless plugins which take that approach, but over the last decade a much more authentic type of emulation has emerged. It’s not so long since most of us were happy if a plugin compressor, synth or drum machine emulation looked like the original hardware and sounded, well, vaguely similar. And by emulations, we really mean painstakingly accurate modelling of the behaviour of those classic units – a huge step up from some of the lacklustre imitations passed off as emulations over the years. One of the key growth areas in music software over the last decade has been the market for emulations of classic hardware. Universal Audio’s Teletronix LA-2A hardware compressor
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